I have always been drawn to the moment just before something breaks — and to what remains after it does.
Working across painting, sculpture, photography, and mixed media, I build compositions where beauty and fracture coexist — where luminous surfaces emerge not despite tension, but because of it. Time is my gravity. Every piece is an attempt to suspend a moment long enough to feel it fully — a face cracking open and still holding its light, a child standing inside the burning and still claiming existence, a figure dissolving into water and still moving forward.
I don't make art only to process what is private. I make it to bear witness — to the world's pain, to its resilience, and to the quiet ways people endure what should be unendurable. My work is meant to be a refuge - a space for reflection rather than confrontation. A place to stay a little longer.
What survives fracture? How does light persist when it is fragile? These are not questions I answer. They are questions I keep asking — in every medium, across every surface, for as long as I am making work.
Sections
I have always been drawn to the moment just before something breaks — and to what remains after it does.
Working across painting, sculpture, photography, and mixed media, I build compositions where beauty and fracture coexist — where luminous surfaces emerge not despite tension, but because of it. Time is my gravity. Every piece is an attempt to suspend a moment long enough to feel it fully — a face cracking open and still holding its light, a child standing inside the burning and still claiming existence, a figure dissolving into water and still moving forward.
I don't make art only to process what is private. I make it to bear witness — to the world's pain, to its resilience, and to the quiet ways people endure what should be unendurable. My work is meant to be a refuge - a space for reflection rather than confrontation. A place to stay a little longer.
What survives fracture? How does light persist when it is fragile? These are not questions I answer. They are questions I keep asking — in every medium, across every surface, for as long as I am making work.
Sections